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TWO:There is no doubt that his great object was through life to inspire his Roman Catholic countrymen with a consciousness of their physical power, supplanting the slavish spirit that had been inspired by the penal code. He was accustomed to say that for every shilling of "rent" there was a man, and the man could grasp a weapon, and put forth a power that slumbered in his right arm. In fact, this mighty political conjurer produced all his spells by invoking this phantom of physical force; nor did he invoke it in vain, for it was that phantom that ultimately terrified the most determined supporters of the Protestant ascendency into surrender to the principle of civil equality. The Catholic Association, in its origin, was treated with contempt, and even Catholics themselves spoke of it with derision; but as it proceeded in its operations, the speeches that were weekly delivered produced an effect which daily increased. The Catholic aristocrat was made to feel that his ancient blood, which slavery had made stagnant in his veins, was of no avail; the Catholic merchant was taught that his coffers filled with gold could not impart to him any substantial importance, when every needy corporator looked down upon him from the pedestal of his aristocratic religion; the Catholic priest was informed that he had much occasion to put the lessons of humility inculcated by the Gospel into practice, when every coxcomb minister of the Establishment could, with impunity, put some sacerdotal affront upon him. In short, from the proudest nobleman down to the meanest serf, the whole body of Roman Catholics were rendered sensible of their inferior place in the State. The stigma was pointed atmen became exasperated at their grievances when they were roused to their perception; a mirror was held up to Ireland, and when she beheld the brand upon her forehead, she began to burn. Reviled as the Catholic demagogues have been, still did they not accomplish great things when they succeeded in marshalling and bringing the whole population of the country into array? The English people had been previously taught to hold the Irish Catholics in contempt; but when they saw that such an immense population was actuated by one indignant sentiment, and was combined in an impassioned, but not the less effectual, organisation, and, above all, when they perceived 1,000 a week pouring into the exchequer, their alarm was excited, and, although their pride was wounded, they ceased to despise where they had begun to fear. The wonders which were achieved in Waterford, in Armagh, in Monaghan, and in Louth, may be referred to the system of energy which had been adopted.The effects of the growth in our commerce and manufactures, and the consequent increase of the national wealth, were seen in the extension of London and other of our large towns. Eight new parishes were added to the metropolis during this period; the Chelsea Waterworks were established in 1721; and Westminster Bridge was completed in 1750. Bristol, Hull, Liverpool, Manchester, Birmingham, Sheffield, Leeds, Edinburgh, Glasgow, Frome, Dublin, and several other towns, grew amazingly.
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TWO:There was a number of lady dramatists of this period. Mrs. Cowley wrote "The Runaway," "The Belle's Stratagem," "More Ways than One," etc.; Mrs. Brooke, Miss Marshall, Mrs. Lennox, and Miss Sophia Lee, all wrote successful plays; Mrs. Sheridan, the author of the Eastern story, "Nourjahad," was the writer of the successful comedies of "The Discovery" and "The Dupe." But the chief dramatist of this period was Richard Brinsley Sheridan, her son (b. 1751; d. 1816). He was equally distinguished as a politician, an orator, and a critic. Like Murphy, Macklin, and Cumberland, he was an Irishman. His dramas placed him at the head of all the writers for the stage of his time. They abounded with humour, wit, the smartest action, and knowledge of life and human nature. His splendid comedy of "The Rivals," written when he was not twenty-five, did not at first augur much success; but "The Duenna," which appeared the same year, carried with it at once the highest public favour; and his "School for Scandal," acted in 1777, raised his reputation to the utmost. He also wrote the farces of "The Critic," "The Trip to Scarborough," and "St. Patrick's Day." All these were issued before 1780, and after that he was too much involved in political affairs to renew this style of writing. Amongst his other labours for the theatre was the adaptation of "Pizarro," one of[181] Kotzebue's numerous plays. Sheridan first appeared before the world as the translator of "Arist?netus."
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